Annual Blog Post

Well, it's been a year and 15 days (probably 16 by the time I finish writing) since my last blog post. It's not like anybody ever reads it anyway I don't think - most of the feedback seems to be from spambots posting nice comments about where I can source some cut-price viagra.

So, to catch up, this time last year I would've been in the early stages of second year. Second year was a bit crap for various reasons, and I finished up feeling a bit dissatisfied with where I'd ended up, artistically at least. By the end of it, I was really glad to be getting out of GSA for a while, since I'd be going on exchange to the University of New Mexico in the US. I did my usual summer stint at the bike shop, and by mid-August, I found myself in Albuquerque.

Albuquerque is quite a lot warmer than Scotland, though you probably didn't need me to tell you that, right? I got some mental sunburn, especially cycling around trying to find flats spread all across a very expansive city. Eventually, after dodging a few real dumps, I found myself (concidentally) in exactly the same flat that Theresa and Chris from Glasgow had stayed in the year before. The nearest Ikea is all the way up in Denver, so Walmart had to provide the furniture.

The only thing that was kinda worrying me was my class schedule. I'd been advised to take 200-level courses, roughly equivalent to second year at uni. The problem was that there were only two 200-level photography courses, and I hadn't been able to get on early and register for them due to a computer system error, so they were full by the time I got there. Luckily, I managed to beg a spare place on one of them, so I ended up with a timetable consisting of Digital Imaging Techniques, Intro to Printmaking, Modern Art History and History of Photography.

While there are many things I find confusing, bewildering or just plain annoying about the way the American educational system works, perhaps the biggest and most noticeable difference has been that of the workload compared to that of GSA. I find myself with a very frustrating mix - there's a lot more work to do, in terms of volume, but very little of it is particularly challenging.

Admittedly, my printmaking class is pretty challenging, but I put this down to the fact that I've never really had to create decent artworks without the aid of a camera before, and having to rely purely on my clumsy hands leaves me somewhat limited.

My big worry is that I'm going to be somewhat left behind as a photographer when I return to Glasgow. I've been hearing all about the really interesting stuff that people back home have been up to, and all I've been doing is photoshopping daft pictures of penguins looking at abandoned shopping trolleys (I scored a perfect 100% for that assignment by the way).

What I have been doing is trying to keep my own little personal side project on the go, shooting a LOT of Polaroid snapshots as I go along. I guess there's no deeper meaning to these, but they are really good fun (when my camera isn't deciding to spontaneously destroy itself) and definitely go a long way towards trying to keep me at least reasonably sane.

Polaroid DS-34 GelCam

This is the latest weird and wonderful addition to my camera collection - a Polaroid/Fotodyne DS-34 GelCam, apparently used to record Gel Electrophoresis.

It's a pretty interesting camera. It takes regular Polaroid/Fuji packfilm (FP-100, FP-3000 etc.). The rollers and stuff were pretty disgusting when I opened it up, but it was nothing a quick wash down couldn't sort out. It has a Tominon 105mm f/4.5 lens on the front with a Copal shutter. Shutter speeds range from 1/125 to 1sec and bulb, and apertures from f/4.5 to f/32. The shutter is actuated by a cable release - the pistol-grip handle on the bottom of the camera has its own cable release built in, but the handle can be removed for mounting the camera to a tripod, and the cable release replaced with a regular bog-standard model. There's also a PC flash terminal with x-sync, which works.

Because it's a rigid body with a large format style leaf shutter, it's basically a fixed macro camera. Focus distance is somewhere in the region of about 30cm. Because it was designed to be mounted to scientific equipment using a fixed lens hood type thing, there's no way of telling whether or not you're in focus. I work out the correct camera-to-subject distance by using a shoelace that I calibrated to the correct distance and marked with a pen.

There's no viewfinder either. You may notice the three bits of gaffer tape on the top - I stuck them on to roughly indicate the angle of view. Not ideal, but it'll do for now I suppose!

The best part of it all? It only cost me about £12 :-)

I'll write a more full and detailed post on the camera once I've got to know my way around it a bit better.